SYD PASSES AWAY IN BOCA RATON

It was with great sadness that Simesite learned last week that our former boss, Syd Silverman, has passed away in his home in Boca Raton, FL on Sunday, August 27. He was 85.

In the past few days obits have appeared in the New York Post, The Hollywood Reporter, The Los Angeles Times and The New York Times.

Following are a few remembrances of Syd. If you would like to add to these, please send your contribution to: peterbesas@yahoo.com for posting on our website.

MUGGS PAY RESPECTS AT SYD’S FUNERAL SERVICE
The two wakes and funeral service Sept. 8 and 9, 2017 bid a fond farewell to former Variety publisher Syd Silverman in White Plains NY, where Syd lived most of his life. Muggs in attendance were Heidi Downey, Tom Gilbert, Elizabeth Jensen, Robert King, Steve Knoll, and Patricia O’Connell.

In addition, Frank Meyer’s widow Mikki Meyer was on hand. Those paying their respects viewed photos on display from Syd’s family, including grandfather Sime Silverman who founded Variety, images of Syd’s personal passion of car racing 1950s vintage sports cars and Variety too.

His eight grand-children attended, as well as his four children Marie Silverman Marich, Michael Silverman, Mark Silverman and Matthew Silverman.  Mark assembled an impressive 200 slide photo presentation that drew a constant crowd of viewers.

Robert Marich

SEE TRIBUTES TO SYD BELOW FROM
Mark Silverman
Mike Silverman
Matthew Silverman
Carolyn Silverman
Peter Besas
Mort Bryer
Bob Marich
Nick Marich
Steve Knoll
Joe Morella & Frank Segers
Don Groves

STUFF MY DAD TAUGHT ME: Life Lessons from Syd
By Mark Silverman
(Silv.)
The day before Dad died, my daughter Carolyn got married, on Saturday, Aug. 26, 2017.  The first of his 8 grandchildren to walk down the aisle.  A lot of people laughed when I said that I started my research for the Toast to the Bride & Groom by Googling “Great Wedding Toasts.”  But I didn’t need to Google “How to Write a Eulogy for your Father.”  Because I knew that it would be impossible to shoehorn a lifetime of learning from him into a simple speech.  Words.  Sentences.  Mere pebbles of wisdom along the riverbed of a life well lived.

I worked on that platform with him on 46th St.—5 feet apart — for 6 years, then 2 more in my own office just outside his after the sale to Cahners.  In the beginning, he sent me to London for a year to learn the international ropes, and to L.A. twice more to learn the meat and potatoes of the Hollywood machine.  But it was my rides with him to Valley Stream, Long Island on Tuesday press days that he taught me the business by osmosis, sitting in the car next to him — days that started at 7 am and ended at midnight after the press check in Brooklyn — if the printing press didn’t throw a gear and delay us until 4 a.m., or even later.

Those rides were seminal, because I asked a lot of questions about the business — in the quiet hum of the ride on the Southern State Parkway, in private, and his answers were measured, thoughtful and wise.  But it was a privacy we never had in the open floorplan of the 46th St. office, and I felt like he could impart his wisdom freely, no outside interference to create static.  Just him and me.  Learning from the master.  Grasshopper to his David Carradine.  I was still in my 20s, but I knew he trusted my instincts and my acumen – and really, could there be anything better than writing headlines all week in the birthplace of slanguage?  Think about it.  Words that we invented and the dictionary added to the American lexicon:  Baloney.  Boffo.  Corny.  Cliffhanger.  Whodunit.  Knowing you could never top the iconic headline “STICKS NIX HICK PIX” didn’t keep any of us from trying every week.

Dad always displayed honor, truthfulness, integrity, in all matters of his life, business or personal.  A Boy Scout.  Do unto others, The Golden Rule.  Old School through and through.  He was also a soft touch in some ways, but it was a part of who he was, his childhood, an only child living with 2 parents in poor health.

Dad was a very private man.  Orphaned at 18, no siblings to lean on, to learn from, to laugh with, or to hug, think how lonely and isolated he must have felt, the responsibility to all the people that depended on Variety, all of that on his young shoulders.  I think Variety became his new family….until he met Mom, and they started a family of their own, and built a wonderful life together, and for us.

He was my hero.  He was Don Draper to me, but with none of the bad habits, a dashing, well-dressed, soft-spoken conservative who I watched growing up as a child of the 60s and 70s.  JFK, the Moonshot, Woodstock, Vietnam.  It was a heck of a time in history, and he helped Variety chronicle the new media as it unfolded into the 21st Century.

Dad imparted a few nuggets of wisdom to me, that most of us may find useful as we live our lives.  I think the best one for me was this:

“When you get up from the negotiating table, and you know you could take the whole dollar, make sure you leave a dime behind.  That way, the next time you want a meeting, they’ll remember you as a friend and a partner, not an adversary.”

“There’s a reason God gave you 2 ears, but only 1 mouth.  Listen more, talk less.“  (I think he meant that for my mother, but I got half her DNA, too, which is where it must come from.)  I’m still working on being better at that.  Just ask my kids.

“Always tell the truth.  The truth is easy to remember, whereas a lie is hard to remember which lie you told to whom.”

“Don’t make a bogey trying to make a birdie.”

“Don’t have the 3rd martini.  But learn to appreciate the first 2.”

Thank you dad, for being my father, my teacher, and my friend.  And for a life well lived.

# # #

Syd & Technology:  You Win Some, You Lose Some
Dad was no technologist.  F’rinstance, after he had moved to Boca Raton, Florida, with his second wife, Joan Hoffman, who had also been widowed like Syd, I bought him a Mac desktop computer with keyboard and mouse, around 2006.  I explained to him that the “desktop” on the screen was like a desk at home with manila folders on it, with documents inside the various folders.  I showed him the nuances of double-clicking the mouse to open folders, and to even drag one folder inside another folder.  I moved the mouse around on the office desk to show him how the mouse moved the cursor on the screen.  He thought it was akin to rubbing your head and patting your stomach at the same time.  So I handed him the mouse and said, “Now, move the mouse so it moves the cursor on the screen where you want it to go.”  So he grabbed the mouse, lifted it up and put it right on the computer screen, and moved it around like he was polishing a mirror.  That was pretty much the end of his interest in desktop computers.

But Syd was smart enough to realize the huge advance the fax machine had made over the Telex, and Variety was the first worldwide news organization in the late 70s to have a global network of fax machines (I believe the machines were first made by a subsidiary of Exxon, actually).  We beat the NY Times in that department by 4-5 years, maybe more.  Every office and bureau got one, and soon even our stringers who worked for other entertainment or media outlets were clamoring for the new gizmo.  So while the rest of the world’s greatest media outlets were standing in a 6-hour line at the Cannes Palais Telex Room to file their reviews, we were hammering ours out on Royal typewriters in our own newsroom, in the Josefa Apartments behind the Carlton Hotel, and faxing dozens of film reviews every day to LA and New York.  We beat all comers in that regard for years to come.

Roger Watkins Wrote The Greatest Headline We Never Published
After Dad, or maybe it was a tie, my other great teacher was Roger Watkins, the London bureau chief who mentored me and taught me the international ropes from September 1981 through July 1982.  After the Cahners buyout, Roger got my vote for the new editor-in-chief to succeed Syd, which he did.

Roger was the cub reporter in London in the early 1960s who alerted legendary Variety editor Abel Green and the Music Department in NY in 1962-63 that The Beatles were more than just another group with a girlie fan base, they were becoming a global phenomenon.  “It’s only rock & roll” Abel supposedly famously telegrammed to Harold Myers, Roger’s boss in London at the time.  With that, Variety ceded that part of the entertainment business to Billboard, pretty much forever.

After the deal to sell Daily Variety and Weekly Variety to Cahners Publishing was announced in July 1987, we were slated to officially consummate the deal on Oct. 30, 1987.  Well, in between those two dates, Wall Street had a monumental crash of 22% in a single day – Black Monday – on Monday, Oct. 17.  So, because we went to press on Tuesday night, we would be already a day late with our story about the catastrophic event and its effect on show business.  So, rather than run a “Banner” headline across 5 columns on our front page that would recall Variety’s iconic “WALL ST. LAYS AN EGG” chronicling the market crash of 1929, we decided to move it down on Page 1 to a single column, since we would be publishing at least a day later than the Times and Wall St. Journal with that news.  I wrote the headline, and it stated: “Wall St. Lays An Egg – The Sequel.”

Thursday, after London received the Wednesday issues, Roger called me from London to proffer perhaps a better play on the event than my headline had displayed.  “Mark,” he said, “did you think about ‘WALL ST. LAYS ANOTHER’ ”?   I almost cried myself to sleep that night, knowing I had whiffed it.

MICHAEL SILVERMAN
When I was growing up in the ’60s, watching reruns of “The Lone Ranger,” westerns and war movies, my movie hero was John Wayne. Especially in the John Ford cavalry westerns, John Wayne was the quintessential strong, silent type. Tall, measured in word and deed and a leader of men, he was everything you’d want to be.

And so was Dad — he was my own personal John Wayne. Reserved, respectful of others, considerate to a fault, he set an example of how to be both a leader and a true gentleman — and also a gentle man. I thank and revere him for introducing and teaching me in my favorite pastimes — golf, fishing and auto racing.

There’s a saying that real men don’t cry — I don’t remember ever seeing John Wayne shed a tear in the movies — but I remember seeing my Dad cry just four times in my life:  when my mother Jan died in 1997; when Jim Clark (Syd’s own racing hero) died in a racing accident in 1968; and when my classmate John Foley’s dad died when we were 9 years old, leaving behind a young widow and three kids in a tough spot.

The fourth time was when he returned from a goose hunting trip with our “Uncle” Carlton, his military high school roommate from Manlius. Dad was almost despondent, saying he and Carlton stood up in the duck blind as a flight of Canadian geese floated in like a squadron of Corsairs making a carrier landing. He choked up describing how he felt obligated to “take this magnificent bird down.” He didn’t want to disappoint Carlton, who’d arranged the entire hunting trip, so he pulled the trigger. I remember he gave the goose, by then in the freezer, to the priests at Our Lady of Sorrows, knowing he would likely have choked to death if he tried to eat it.

That was Dad — considerate, generous to a fault — that he would take the figurative bullet rather than disappoint a friend.

Dad was lucky to be surrounded by great people, like Harold Erichs, who stewarded Variety forward during the six years Syd was at Princeton and subsequently in the U.S. Army as a second looie. And he was a great judge of talent when it came to hires for Variety, many of whom served for decades in the Roman galley on 46th Street. He gave good reporters the leeway to write it their way and the resources to do their job without undue influence from the top. And they rewarded him with their best work and undying loyalty. And he was smart enough to hire Tom Pryor, the editor of the west coast daily, who kept Daily Variety as the lead chronicler of Hollywood for 30 years, from 1959 to 1988.

Syd had the same approach when he hired Randy Riggs in 1997 to be the editor at Vintage Motorsport magazine, which Syd bought in 1990. Twenty years later, I’m proud to note that Randy and I are still working together. VM has the top editor in the business thanks to Dad’s instinct to hire the best people and give them the free rein to strut their stuff.

I worked for Dad twice, for 12 years at Variety, and another 10 years at Vintage Motorsport before I bought it. He refused to overpay for talent, so both times I worked for penurious wages, but loved every minute of it. In 2000 I was “between gigs” as they say in Hollywood, and the advertising manager Judy Marchione had just left, and he asked me if I could use my publishing experience to help him out with Vintage Motorsport.

Knowing that I’d be paid a pittance, and that there were no medical or retirement benefits to speak of, I said, “OK, I know you’ll pay me peanuts, and there’s no fringe benefits, so I want one spiff.” “What’s that?” he replied. “I get to race the cars.” Luckily for me he instantly agreed. And we were literally off to the races…

Shortly thereafter I found myself at my first-ever vintage race at Summit Point. In the qualifier, the crankshaft in the Austin-Healey blew, so my backup car was Dad’s 1949 MG TC, which I didn’t know at the time was Carroll Shelby’s first winning race ride in which Shelby trounced much more powerful cars like Jaguar XK 120s. I was gridded dead-ass last. I asked the crew guys “Why am I starting all the way in the back?” They informed me, “You didn’t qualify in this car, so you start last.” I pointed out, “but the steering wheel’s on the right side, and the shifter’s in my left hand!” The crew said, you’ll be so busy you won’t really notice.” As a motivator, the crew guys also advised me, “And if you don’t beat the two 80-year-olds in prewar BMWs ahead of you, don’t bother coming back.”

It was like racing in a wheelchair with 100 horsepower. I’m happy to report we beat the octogenarians by a half car length, and proceeded to spend gobs of quality time with Dad at vintage races at the best tracks across North America for the next decade.

As a result, I’ve gotta be one of the luckiest boys on the planet since Gepetto created Pinocchio. I can’t believe the cars I got to flog on legendary race tracks, all the while with my father in the same race group on track. I have memories of him coming out of a corner behind me in his Sunbeam Tiger Le Mans coupe, seeing his eyes crinkle in laughter behind the helmet visor as he glanced over at my underpowered Lister-Jag, and  punched the Tiger’s 289 cubic-inch V8 and left me in his dust on the straightaway. And we’d then get to relive the moment and laugh post-race at countless race-city eateries with his racing partner John Harden and the jovial crew, and Syd’s most-sociable 2nd wife Joan. How many sons get to experience that? I’m ever so grateful to have been one of them.

Dad was a voracious car collector as he furthered his affinity for historic racing, and was as far as I know at one time the most prolific collector of Lister race cars on the planet. The dichotomy was that for one of the most gentle and gentlemanly souls you could know, he owned some of the most ferocious 1950s race cars ever built — the Allard JR that ran at Le Mans and the beastly Allard J2X, a Hemi-powered locomotive that could turn your hair white in 7 laps. I know that from personal experience.

Never the fastest driver on the track, it didn’t matter to Dad as he was one of the most enthusiastic participants in historic racing who ever turned a wheel on the tarmac. As in the rest of his life, he was keenly aware and considerate of the other guys on the track, always on the predictable racing line and with a clear point-by if you earned it. It’s been said that instead of inheriting the showbiz trade paper Variety, he’d have been happier if he’d been the heir to Road & Track.

Syd got his final checkered flag on August 27, and I’m sure he’s on a race grid right now ready to go out on the pace lap with his racing buddies like Mike Stott, Alan Patterson, Tom Mittler and Bob Fergus.

As we sally forth from here, we should follow Dad’s example:  look far forward, watch your mirrors, and help others with a clear point-by should they need it.

Dad may have never personally won a race, but he was a winner in every other way.

And so were all of us for having the privilege of knowing him.

MATTHEW SILVERMAN
Sept. 9, 2017
My father stood and said a few words at almost every funeral I’ve attended. One thing he told me, “Don’t get up there unless you know your last line. And don’t improvise.”

His parents died when he was a teenager. He did not talk about it. He did not talk a lot about feelings—like a lot of fathers I knew from that time—but he led by example. He planned a family trip in the early 1970s to Europe to show us where he and my mother lived when they were first married, but it was more important to have my cousin Cathy’s wedding at our house. We took short driving trips for vacations to Washington D.C., Hershey, and Gettysburg because he had to be back in the office on Sundays.

During the few summers I commuted in with him to Manhattan, we always drove. He parked in the lot where the old Madison Square Garden used to be—except on Sundays, when he had me drive and cram his Cutlass into a spot on the street. He was a man of routine. Saturdays he took us to Milk Maid in White Plains for lunch. When you were at Variety on Sundays, you went to the Gaiety Deli. Every night of the week it was to Sam’s of Gedney Way. You did not go to a place for dinner that did not have a proper bar.

It was the things he did that were out of routine that stick most with me. The aimless drives to Bedford or Brewster in his sports car (pick one). The trips to Playland still amaze me because they were so out of character. But I remember most our trips to Shea Stadium, which was not his thing at all, but we spent most summer Wednesday or Saturday afternoons there when they—and we—were home. Each book I later did on the subject almost felt like a confirmation: “See, you weren’t wasting your time.” It was never a wasted day spent with my dad. The Saturday we saw the fifth-place Mets at uncharacteristically packed Shea and bought seats in the top of the upper deck is the night Variety staffers and industry contacts can thank for the bizarre perk of Mets season tickets via the Entertainment Industry Bible. He even picked out the seats: right behind the plate, above the announcer’s booth, but in the third deck, so seats cost less than $5 per game. Always with an eye on the bottom line.

When my brothers and sister all moved the same week in 1975, when I was 10, it was like The Brady Bunch was cancelled and replaced with The Courtship of Eddie’s Father. Vacations were better, cars were nicer, and Dad was more accessible. My parents still went on extensive trips, always for business, but it was still family first. When I read in Peter Besas’s tremendous book, Inside Variety, that my father resisted moving the newspaper’s headquarters to the West Coast so that I could go to school in the East, I felt a little pride—and some guilt. Guilt knowing that during our long drives around New York state my dad expressed no desire to become a Californian. “Remember,” he’d say, “they are three hours behind us.”

He cared deeply for “the paper.” But he cared even more deeply for family. Family is what made the paper what it was; and family is what really made him tick. As Dad ended every piece of incoming copy: -30-

CAROLYN SILVERMAN
My grandfather was devoted to his grandchildren, generous, kind, and thoughtful in his support of us.  He exuded a quiet confidence in all of us that made us aware of his constant love.

My junior year of high school, Grand Pop drove the three hours from Rye to my boarding school in Massachusetts, Deerfield Academy, to take me out to lunch.  As we sat down, he asked me how applying to college was going and at which schools I was applying. Obviously one of the most stressful times in my life, I gave him the run down (I’m applying to anywhere I can get in to get my parents off my back).  He told me he hoped I was considering his Alma Mater, Princeton, and that he wanted to write a letter to admissions in my support.

Stunned by the notion that someone thought me capable of getting into Princeton, I shook my head and laughed.  While I was obviously flattered by his perception of me, I had to gently let him know that sadly, according to admission statistics, the likelihood of my admission to Princeton without a building donation was slim, but I was grateful for his confidence in me.

Going through almost thirty years of memories of my grandfather, I chose to share this one because it exemplifies and encapsulates the best qualities that I associate with him:

First, loyalty; Grand Pop was fiercely loyal to his family, friends, and my two grandmothers, Jan and Joan.  He felt a great deal of responsibility for those that he loved, and wanted us to be as joyful as we could be if he had anything to do with it.

Second, the importance of your family and knowing your family’s history; he knew the importance of family having shared experiences, that it brings us closer together.  Passing down traditions and stories from one generation to the next strengthens our collective identity.  Everyone in my family knows that the Variety logo was drawn on a cocktail napkin by my great-great grandmother, and that in the 1920s Times Square was nicknamed “Sime’s Square”. These are stories that we are proud of, and I can’t wait to share them with my children one day.

Finally, unrelenting kindness;  Grand Pop always went out of his way to be generous, doing favors where he could and making sure that we knew we were loved.  Whether it was driving three hours to see his granddaughter, or letting our rambunctious family of six stay at his 2 bedroom apartment in Florida for almost a week straight each year, he always made the effort to make us happy.

As I think about my life going forward without my grandfather, the best thing I can do to make sure he’s always with me is to try to emulate these three qualities each day, guaranteeing that those around me feel loved and cared for.

PETER BESAS
Syd is gone, and maybe with him dies a whole era of show biz journalism. Or perhaps that happened 30 years ago when Variety was sold to Cahners and the old brownstone on 154 West 46th St. was knocked down by the bulldozers.

The first time I met Syd was one Sunday right after Christmas in 1969 when I applied for the job as Madrid stringer. In the presence of Bob Hawkins, who happened to be in New York on a holiday, Syd struck me as a soft-spoken Ivy League gentleman, the antithesis of what one imagined the hard-boiled owner of such a prestigious show biz publication would be, though the office, as so often has been commented, did call forth images of Front Page. That impression was reinforced during the 48 ensuing years that I knew him, though we’d meet only a few times a year, usually at the film markets and in New York. His demeanor was always gentle, his admonishments measured.

In the course of all those years, I only remember Syd getting angry on one occasion. That occurred once while all the muggs were having lunch on the Carlton Beach in Cannes in 1975. Hank Werba kept harping on some point over and over again until finally, exasperated, Syd said, “Shut up, Hank!”. That for Syd was like someone else letting out a string of crushing expletives or resorting to physical violence. Mort Bryer, who knew him far better than I, tells me that usually, when displeased, Syd would simply fall into a kind of brooding silence. But I never experienced that.

On the relatively few occasions I’d see Syd, he was always congenial and, it seemed to all of the muggs, amazingly indulgent. Sometimes, in the Carlton Hotel in Cannes, there would be a meeting of the muggs in his suite, and once Jan had finished arranging the flowers and left the room, the muggs would go at each other, often with unbridled ferocity, airing their beefs, lobbying their brainstorms for improving the paper, attacking the inadequacies of the New York office, with the usual counterattacks ensuing. Hank Werba would blurt out, “Syd, we gotta do this section! The Maghreb! The Maghreb!!” And Syd would just quietly listen to it all, and maybe smile. He was the boss. But seemingly no deference was paid to him by these staffers. After all, he possibly thought, who wants to wrangle with these veteran curmudgeons? These “entrepreneurs”, each of whom ruled over his own “territory” like a feudal lord and was an expert in everything relating to it. And, after all, weren’t they getting results by giving them a free rein and coming up with more and more special sections? After the stormy session had passed we’d all head down to one of the eateries on the Croisette, often a dozen or more of us, and naturally Syd would pick up the tab, as he always did.

I remember the shy, somewhat withdrawn Syd in Milan – he hated to make speeches or have the spotlight shine upon him – when the head of the Mifed, Dr. Franci, invited all the Variety correspondents to luncheon in a private dining room in the Fiera, and Syd would be given some present by Dr. Franci, which he sheepishly accepted, and then muttered some words of thanks. The muggs, too, received presents, and I still possess a handsome heavy bronze medallion which I use as a paperweight.

When in New York, where I always spent March on the top floor (Sime’s old haunt where wild parties took place, I was told, in the 1920s) preparing my yearly Latin American issue, Syd would usually take me out for lunch at the La Strada restaurant, a few doors down from the office. We always started with cocktails, though his favorite was Dewar’s. At other times we’d head over to the Gaiety Deli, on the south side of 48th St. crossing Times Square, where he’d order a chicken salad sandwich.

When I was preparing my book Inside Variety after the sale of the paper to Cahners, I interviewed Syd in his house in White Plains in 1993 and 1994, then in Greenwich, CT two years later, and got to know him a little better. But I spent most time with him when in 2005 we were preparing the 100th Anniversary celebrations of Variety in Sardi’s that required meetings with him in London, White Plains, his house in the Catskill Mountains and Boca Ratón. At the same time I had easily convinced him to have a Souvenir Album printed for the occasion, that I would handle out of Madrid. Always gracious, he gave me virtual carte blanche on the Album, asking only that nothing negative appear about Harold Erichs, the former “manager” of Variety, or whatever his title may have been. The 150-page Album, containing nostalgic articles from more than two dozen staffers was a great success. Syd wrote a short Introduction for it, saying how the friendships he had made with those who grew up with the paper were everlasting.

Titles of any sort had always been anathema to the paper, starting from the days of Sime, who referred to bureau chiefs as simply “being in charge”. There were no CEO’s, CFO’s, vice presidents, etc. On the occasion that I started preparing my first Latin American issue in 1975 I told him, “Syd, I can’t just go traveling around these territories as the ‘stringer from Madrid'”. To which he replied, “Well, pick out some sort of title for yourself.”

I remember Syd accompanying me to the plant in Valley Stream, Long Island, where the paper was laid out each week at Balan Graphics, and his spending the day with me, telling the make-up ladies where to paste the strips of text on boards for “my” Latin section, while the department heads sat at a table correcting page proofs or, when there was nothing to do, playing a hand of poker. And at lunchtime we’d head over to the Valbrook Diner, with Syd first stopping off for a libation, where the muggs would munch on sandwiches before returning to the plant to put the paper to bed.

Syd tended to be taciturn much of the time. I remember Jack Loftus, the TV editor, once telling me as we sat in an outdoor restaurant in Cannes during the MIP, “If you want to get Syd to talk, ask him which is the best route to take from some place in Connecticut to New York. His eyes will light up, and he’ll give you a detailed itinerary, with possible variations.” We all knew that Syd’s great passion was not show biz or journalism, as had been the case with Sime and Abel Green, but cars. So it was greatly to his credit that for most of his life he kept alive the paper Sime had founded and that had become “home” to a family of muggs of every conceivable stripe and character. Each day Syd, a wealthy man, schlepped into the dumpy 46th St. office and sat on the poopdeck. The framed Doris and Eddie cover from The Saturday Evening Post hung behind him on the wall, and the big picture window that had the Variety logo painted on it looked down on the street. For many years he alternately sat opposite Abel Green, Bob Landry, Mark Silverman, Frank Meyer, editing copy and preserving all the quirks and oddities and slanguage and traditions of the paper. Instead he could have been lolling in some country club or racing vintage cars. But instead he’d grab a sandwich at a nearby deli, dodge the traffic on Times Square, wrangle with a dozen or more testy reporters and see the paper through the press each week at Valley Stream and then next day spend hours in the noisy, hot printing plant in Brooklyn.

When I think of the crazy assortment of people that were thrown together in New York and abroad (I barely knew the ones at the Daily Variety in Hollywood), it always amazed me how Syd could ride herd over such a disparate, idiosyncratic bunch of oddballs. “There may be a guy you wouldn’t necessarily want to invite to a dinner party in your house, but who is a good reporter, and that’s what counts,” he once told me.
Besa

MORT BRYER
Syd, the epitome of a gentleman and decent guy, is dead.
That hurts! I’m sad!

BOB MARICH

Syd knew how to throw a nice party! I went to the Watkins Glen NY vintage car races in 2002 where Syd, my father-in-law, was hosting a cocktail party honoring Bobby Rahal, the famous racer. Rahal had just exited as head of Jaguar’s Formula One racing program.

As I headed for the race track’s clubhouse, I saw a stream of people entering. I figured there must be multiple events, right? But no, the throng was all for Syd’s event for hundreds of his closest friends in racing. Rahal gave a memorable talk about needing grit in racing, and not just horsepower and money.
The low-key, affable Syd stayed in the background but clearly enjoyed bringing his friends together.

Syd owned some interesting cars circa 1940s-50s—strictly for racing, seating one or two and not street legal. I remember he owned a British two-seater that was the first professional ride for famed racer/car builder Carroll Shelby. The 1949 MG TC was sitting in front of Syd’s trailer at another race and, lo and behold, Shelby himself came by to admire the car and confirmed its provenance. He chatted to Syd too…they clearly knew each other.

Syd is in my thoughts and prayers. He was an all-around great guy and I will miss him.

NICK MARICH

You might  find it hard to believe but I remember being in this photo from the mid 1990s. It was just my third Halloween and I’m in the devil costume sitting the lap of Syd, who is my grandfather. I am age 24 now.

I lived in the Los Angeles area at the time and used to travel to New York every August to see Syd (who I call Pop), Jan (Grand Jan) and other family members. Over the years during my visits, I remember playing kickball with Pop; we’d never keep score. He bought me a big battery-powered Jeep that I could ride in when I was five years old. I remember driving across the lawn, probably with
closer supervision on me than I realize at the time. We’d also go to Deer Keep, his beautiful vacation home two hours drive to Catskill. I spent a lot of time with Pop over the years.

In May and July of this year, my parents and I visited Joan and him in Florida. I’ll miss him very much and know he is now in Heaven.

Nick Marich

STEVE KNOLL
New York, Sept. 5, 2017

Since everyone who worked at Variety was part of an extended family, this is a loss that will be keenly felt by every surviving member of that family. In his years as Variety’s steward, Syd upheld the unique tradition of solid, independent trade journalism that began with his grandfather. He presided over the leading publication in film, television and allied fields, and he maintained that publication’s dominance throughout his tenure. 

Syd was a model gentleman who never raised his voice and treated everyone who worked for him as an equal. My own relationship with him (beginning when I joined the paper at the age of 21) could best be characterized as one of mutual respect and great personal warmth. In many respects, my years on Variety were the best years of my life, and so I owe him a debt of gratitude.

JOE MORELLO & FRANK SEGERS
The following is excerpted from the blog “classicmoviechat” posted on Sept. 7 under the headline “Farewell, Variety’s Syd Silverman” by the above two ex –muggs.

We pause today to pay our personal farewells to Syd Silverman, publisher and editor of Variety, the fabled show business trade paper where Joe cut his teeth in the late Sixties and where Frank spent the bulk of his career in journalism….

It’s not that often that one takes pains to pay tribute to a former boss, but Silverman was quietly extraordinary in so many ways that the following paean is entirely justified. It was a pleasure working for this man…(whereupon follows a capsule history of the paper and some of its quirks.)

Syd always kept his sangfroid amidst the more than occasional office eruptions resulting from big staff talents and bigger egos.  Reporters were partial to him largely because, as Syd once said, “We leave people alone. We don’t tell them what to write. It’s a reporter’s paper.”

Our condolences to Syd’s wife, Joan; and to his offspring,  Michael, Mark, Marie (and her husband Bob Marich), and to Matthew.

DON GROVES
Sydney, Oct. 20, 2017

Apologies for my tardy tribute to the great Syd Silverman.  Jenny and I were on vacation in France when he passed and I was not aware of that until I checked Simesite earlier this week to see if there were any postings on the Hawk, as I had just heard of his passing.

I was moved and deeply touched by the Simesite odes to Syd from his sons and colleagues.  As most muggs know, Syd hired me to take over from Miha (Mike Harris) as Sydney bureau chief after the latter ankled to join the Australian Film Commission as North American sales chief.

I will never forget my “audition.” Mike had recommended me to Syd but he was unwilling to hire me sight unseen, reasonably enough, so Miha and I flew first class (Miha’s preferred form of air travel) to New York at Variety’s expense. I met Syd and colleagues in the office and we had dinner at he Algonquin, where he confirmed I had the job. I was so jetlagged I am surprised in hindsight that I made a sufficiently good impression!

Thus began my 24-year  Variety career (minus a sabbatical when I joined Hoyts, which lasted six months),  the longest, happiest and most fulfilling phase of my checkered career, which ended when Koones, Mika and Bart foolishly decided to close the Sydney bureau.

Syd was the most upstanding, honest, ethical, generous and supportive boss I ever had. I sometimes wonder what might have happened if he had not sold Variety to Cahners, but I know he feared for the future of the paper, indeed the institution, with vultures like Murdoch circling.

I treasure memories of the times spent with him, Mark, Mike and Marie, including a few lunches or dinners at his White Plains abode. I will always cherish my friendships with the Silverman family.

Vale, Syd.

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Mark’s Videomontage for Syd’s Funeral Service (15 mins):

A BELATED UPDATE FROM FRED LOMBARDI

Elmwood Park, N.J. July 10, 2017

I had hoped to give you a year end report for 2016 but  got bogged down in a number of things that kept me busy.

Besides, 2016 had not worked out especially well for me. Some writing projects that seemed promising fizzled out. In one case, the editor of a video publication agreed to two of my story ideas but before I could complete the first story, the magazine went out  business.

However, earlier this year Kino Lorber Video approached me about doing audio commentaries for two of their three upcoming releases of silent films starring Gloria Swanson directed by Allan Dwan. They had reached out to me because of my book on Allan Dwan.

The first of those commentaries was for the 1923 film ZAZA, the first of seven silent film collaborations between Swanson and Dwan. The DVD with my commentary was released by Kino Lorber in early June. You can take a look at it by calling up Amazon.com and entering “Zaza” under the category of “Movies and TV.” When you then click on the DVD or Blu-Ray item that then appears, you can scroll down and see my contribution is listed under “Editorial Reviews.”

Researching, writing, editing and recording this commentary required a lot of work but I have to admit that I did enjoy the recording process even when technical glitches meant that I had to repeat large portions of the narration. I also think that these movies being released by Kino represent the best of Swanson’s work in silent movies, rivaled only by her appearance in the 1928 SADIE THOMPSON (directed by Dwan’s friend Raoul Walsh) which earned Swanson her first Oscar nomination.

THE OLD LONDON OFFICE

London, Feb. 2, 2017

We were pleased to have a “voice from the past” contact us, namely Catherine Challands who used to work in the London office of Variety when it was on St. James’s Street. Following are a few excerpts from the missive, which also give information on Bob Hawkins:

I found Sime’s Site when I was fiddling around on the computer looking for stuff about Variety.  I worked at the London office in St. James’s Street from 1962-1970 as PA first to Harold Myers and then, when he retired, to Bob Hawkins…

I loved working there, Harold was a fantastic boss and I learned a huge amount from him (I was a rather shy and naïve young girl from South Wales when I started there) – about politics and good food among other things.  I also got on well with Bob and became good friends with Bob’s wife Rosella – we used to go shopping in Soho, the only place she could get the kind of food she was used to.  I’m still in touch with her. Bob is still with us at age 92 but he doesn’t use his computer anymore. I also have very fond memories of Dick Richards (film critic, also of the Daily Mirror) and Bob Ottaway (tv).  In those days I took down every letter and review in shorthand, rather embarrassingly Harold had better shorthand than mine (he had been a verbatim reporter at the House of Commons at one point I think) and he could type faster!

I feel sad, as I guess some old-timers do, at how the paper has changed, but I think it is still respected in the business because you often see it quoted.

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YEAR’S END SIMESITE WRAP (2016)

It is gratifying that once again, after a bit of prodding, we have managed to receive 26 contributions for the year-end wrap for Simesite. We have listed the entries in the order they were received.

That still leaves a goodly number of old-time staffers we have not heard from. Some may have changed their e-mail addresses and not have notified us. Others, quite frankly, were too lazy and disinterested to send us anything. Finally, alas, there may be a few that have shuffled off to St Peter’s Gate and that we haven’t heard from. One of these may have been Bob Hawkins in Rome, who was always one of the first to reply, though we trust that in this case his absence may have been “greatly exaggerated”.

(more…)

PARETTI AND THE GO-GO BOYS

By Robert Marich

White Plains, NY  Sept. 5, 2016

I recall the Go-Go Boys, Golan and Globus, in all their glory, particularly Yoram. Though I’m disadvantaged by not having clips in front of me, I recall that Variety assigned me a special issue story in the early 1990s saluting Pathé Communications, which then had taken over MGM.

Yoram was a money guy in the merged entity and while interviewing him in his office none other than Giancarlo Parretti—another money guy—walked in. Despite crushing debt and what seemed exhausted credit, they assured me all was well with the MGM/Pathé/Cannon Film Group combine, though Parretti—a flamboyant and mysterious fellow out of Italy—didn’t speak English particularly well (nodding with agreement to Yoram got his view across). Most of Hollywood runs on hope. Alas, their combine soon fell apart a victim of heavy debt, little money to make films and aggressive film-selling for short-term revenue that wasn’t particularly mindful of protecting the MGM film library’s long-term value.

Many years earlier, a friend of mine who worked at the old Cannon Film when under the sole stewardship of Yoram and Menahem (before Parretti and MGM) explained their approach to film development. My friend said that “on days they had money in the bank, they always said ‘yes’ to whatever pitch for films came through their office. On days they didn’t have any spare money, they just said no.”